Carl Martin COMPLIM Compressor Limiter Effects Pedal

Carl Martin Compressor Limiter Pedal

• Features and sonic clarity generally found only in studio compressors.
• Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.
• Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.
• Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.
• Gain: Working clockwise, sets the overall gain. Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.

Product Description Carl Martin Compressor/Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this we incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level. General Guidelines on the use of the Compressor/Limiter: Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument. Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting. Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times. Gain: Working clockwise, sets the overall gain. Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.
From the Manufacturer Carl Martin Compressor/Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this we incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level.

General Guidelines on the use of the Compressor/Limiter:

Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.

Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.

Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.

Gain: Working clockwise, sets the overall gain.

Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.

Specifications:

• Power: 100 or 115 or 230 VAC 50-60Hz
• Power consumption: 2,4 Watts
• S/N ratio: 105dB (clean out)
• Input impedance: 1M Ohm
• Output impedance: 200 Ohm
• THD distortion: 0.05%
• Threshold range: 60 dB
• Compression range: from 1:1 to 1:00
• Responce range: from 125 mS to 12,5 mS
• Gain range: +-20 dB
• Dimension: 120(D) 95(W) 77(H)
• Weight: 0.625Kg